[the door leads to a rather large interrogation room, complete with interrogation table and chairs. it probably comes as no surprise that Mars is seated at the table, back facing the door, puffing away on one of his cigarettes. the blue glow comes from an old-fashioned television, which is playing footage from the House]
[but what is probably most stark about the scene is. . .]
[Mars wrists and ankles are chained to the interrogation room table, the metal links rattling as he moves to life his cigarette to his mouth]
You say that like I actively choose what to dream about.
[not turning around to face Crown, but. finally responding verbally to what he's saying]
[TAKES IN A LARGE DRAG, almost defiant. as if he is saying SO THERE!1]
[there don't seem to be any light switches in the room, though Mars does watch Crown as he checks. and a few moments later, he turns the TV back on, chains scraping against the ground]
[but it's too late. Mars's movements are too restricted by his chains to stop the inevitable, and the TV goes crashing to the ground, the screen shattering in an impressive display of sparks]
I thought the point of having friends is that it hurts when they're gone.
[like. that's why people put up with friendship, right????]
I don't hold much stock in it, but if you already went through with it, didn't you already make that choice of getting hurt? Regretting it now's just stupid.
[TV is actually full of static snow but maybe for a moment there's a clear scene of some shitty clown beating on a kid, words distorted and muffled by the sound of static a person can get in their ears when there's nothing but fury--it's gone as quick as it came, back to Mars' House footage.]
H-haa... talking like you know anything... isn't that what they call projection?
[chained to the table as he is, there is no escape for Mars. he finds himself pinned between the table and the wall, hissing like an angry cat, fingers curling against the surface]
[the scene with the clown is brief, but doesn't go unnoticed]
You don't know what I do or don't know!
[the House footage distorts, no longer playing scenes from just the game but rather other gruesome scenes involving Mars, each one ending with a gritty death. stabbed in a school classroom. beheaded by a yellow-eyed king in a castle dungeon. shot in the back while trying to flee a room that looks eerily similar to this one—]
If you're just here to yell at me and tell me that I'm coping wrong, then why even come in the first place?!
no subject
but fine. he's heading over to the blue glow.]
Couldn't you have a more pleasant dream? Thinking kindly of those people?
no subject
[the door leads to a rather large interrogation room, complete with interrogation table and chairs. it probably comes as no surprise that Mars is seated at the table, back facing the door, puffing away on one of his cigarettes. the blue glow comes from an old-fashioned television, which is playing footage from the House]
[but what is probably most stark about the scene is. . .]
[Mars wrists and ankles are chained to the interrogation room table, the metal links rattling as he moves to life his cigarette to his mouth]
You say that like I actively choose what to dream about.
[not turning around to face Crown, but. finally responding verbally to what he's saying]
no subject
Fortunate for you, then. I'm here to assist.
[starting with turning that TV off]
no subject
What the hell are you even doing here? You realize I'm gonna kick your ass when I wake up.
no subject
I think we've already established I can handle myself fine.
Also, if you're aware this is a dream now, what's even the point of pretending you have a cigarette?
no subject
[TAKES IN A LARGE DRAG, almost defiant. as if he is saying SO THERE!1]
[there don't seem to be any light switches in the room, though Mars does watch Crown as he checks. and a few moments later, he turns the TV back on, chains scraping against the ground]
A coping mechanism.
no subject
[turning the TV off again.
fine. we can sit in darkness.]
no subject
[TURNS THE TV ON AGAIN]
Another coping mechanism.
Stop trying to help. I don't need it.
no subject
[time to tip the TV over like the most surly feline.]
no subject
[but it's too late. Mars's movements are too restricted by his chains to stop the inevitable, and the TV goes crashing to the ground, the screen shattering in an impressive display of sparks]
Fuck!
[Mars hisses]
I'm not wallowing! I'm preparing for next time!
no subject
Demented. S'what that is. Y'know how you prepare for the next time? You get over it.
no subject
[raising his own voice a bit, putting his cigarette out on the table]
The way to prepare for next time is to desensitize yourself to it as much as possible so you can get over it.
no subject
[do you hear it? the fuckery behind your planning here?]
no subject
Coping mechanism.
[he hisses, before he nudged at the broken television with one foot. he's sulking now]
They're all going to die again one day. I can't stop that.
So I can at least make sure it doesn't hurt.
no subject
[like. that's why people put up with friendship, right????]
I don't hold much stock in it, but if you already went through with it, didn't you already make that choice of getting hurt? Regretting it now's just stupid.
no subject
I didn't ask to feel this way. I even tried to cut it off at the knees when I first got here.
Some people are just— persistent and stupid and dumb.
no subject
[unimpressed]
no subject
Good for you.
[bends down to set the broken TV upright as he starts to collect the shattered pieces of the screen]
no subject
because all ur dream r belong to BARiTONES.]
Here I thought I'd find something more interesting. Instead it's just some loser dwelling over loss.
How boring.
no subject
[stands up and immediately attempts to punch Crown IN THE FACE]
no subject
more surprising is that the sound of fist hitting flesh is echoed on the TV.]
no subject
[. . .]
. . . don't be a hypocrite.
[he says, eyes flicking back to Crown, chin lifted
You're the way that you are because you're trying to avoid this— [gestures to the interrogation room, the hallway outside] — too.
no subject
H-haa... talking like you know anything... isn't that what they call projection?
[lifts a foot to kick-shove the table into Mars]
Like hell you know anything about it!
no subject
[the scene with the clown is brief, but doesn't go unnoticed]
You don't know what I do or don't know!
[the House footage distorts, no longer playing scenes from just the game but rather other gruesome scenes involving Mars, each one ending with a gritty death. stabbed in a school classroom. beheaded by a yellow-eyed king in a castle dungeon. shot in the back while trying to flee a room that looks eerily similar to this one—]
If you're just here to yell at me and tell me that I'm coping wrong, then why even come in the first place?!
no subject
I'm starting to wonder that myself! I suppose Know Thy Enemy works for a good enough reasoning at this point!
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